It runs towards the model in the viewfinder just to make a u-turn and hit back with the dreams, fears, and aspirations of her subjects. In the same vein, this creative process becomes a confessional of sorts for the photographer as well, bringing forth unintended or unrealised thoughts, feelings, and attitudes. It is a dialogue of an extremely private nature that removes all boundaries. But for Sharaf, it is the best form of communication and discovery.
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